QUESTION: In your first project The Breakfast on The Grass, you made an installation of photographs and dildos on a grass surface. In your documentation, you select a text by Peter Traven: ‘I am a domestic satyr, the master of the forest. I am spreading the vibration that fills up all things in it.” What kinds of objects did you decide to put between your legs and why?

ANSWER: The objects we chose to put between legs were completely coincidental. We took everything that would concern us in everyday life and use it. We were making the project for more than half a year so we tried to use really everything – from ideological objects such as the bible, or Europian Union or communist symbols, to food, hobbies, sports, and pornodiva stuff. Most of the things we used, we already had at home. But it was also a real fun to buy food, items like fish and cow's head, knowing what we were going to use it for! And some stuff we made by hand. We can't remember anymore which of us came up with which idea, it was a process - a kind of ecstasy and so we did everything completely spontaneously, depending just on our mood of the moment. And then we put all the photographs in the glass, and also dildos, all these dildos with different condoms.

QUESTION: I am curious what kind of woman you want to portray here In Among sinners and saints lovers I am interested in your fantasies of naked femininity as a subversive statement.

ANSWER: The photograph was taken by a photographer Rajko Bizjak, who is also shooting mostly erotic scenes for himself – that's how we met. For this photograph we thought of Eve, the first woman, which didn't commit sin with Adam, but decided to use a snake for sexual satisfaction.